All Albrecht Durer Oil Paintings

b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg
 
       VORHERIGE  91  92  93  94  95  96  97  98  99  100   NÄCHSTE
  VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
 
Albrecht Durer Harrowing of Hell oil painting


Harrowing of Hell
Gemälde IDENTIFIZIERUNG::  63634 		Harrowing of Hell
1512 Engraving, 117 x 73 mm Metropolitan Museum of Art, New York Sheet No. 14 of the Engraved Passion. Adam and Eve are on the left, Moses is behind them, Cerberus above. The contrast between engraved and woodcut versions is similar to that described for the Deposition. The man whose arm Christ is touching is probably St John the Baptist. This print is a new and felicitous rendering, bearing witness to D?rer's inventiveness and imagination. Eve looks charming next to the aged Adam.Artist:D?RER, Albrecht Title: Harrowing of Hell; or, Christ in Limbo (No. 14) Painted in 1501-1550 , German - - graphics : religious
1512 Engraving, 117 x 73 mm Metropolitan Museum of Art, New York Sheet No. 14 of the Engraved Passion. Adam and Eve are on the left, Moses is behind them, Cerberus above. The contrast between engraved and woodcut versions is similar to that described for the Deposition. The man whose arm Christ is touching is probably St John the Baptist. This print is a new and felicitous rendering, bearing witness to D?rer's inventiveness and imagination. Eve looks charming next to the aged Adam.Artist:D?RER, Albrecht Title: Harrowing of Hell; or, Christ in Limbo (No. 14) Painted in 1501-1550 , German - - graphics : religious
   
   
     
Albrecht Durer Self-Portrait as the Man of Sorrows oil painting


Self-Portrait as the Man of Sorrows
Gemälde IDENTIFIZIERUNG::  63635 		Self-Portrait as the Man of Sorrows
1522 Drawing with lead pencil on blue-green primed paper, 408 x 290 mm Kunsthalle, Bremen The drawing was destroyed in war. The Man of Sorrows is generally considered to be a self-portrait of D?rer created during his journey to the Netherlands. Semi-naked with a sunken chest and lips parted in pain, the man is gazing very naturalistically out of the picture. His crossed arms and the Instruments of the Passion such as the scourge and fasces remind us of Christ's sufferings.Artist:D?RER, Albrecht Title: Self-Portrait as the Man of Sorrows Painted in 1501-1550 , German - - graphics : portrait
1522 Drawing with lead pencil on blue-green primed paper, 408 x 290 mm Kunsthalle, Bremen The drawing was destroyed in war. The Man of Sorrows is generally considered to be a self-portrait of D?rer created during his journey to the Netherlands. Semi-naked with a sunken chest and lips parted in pain, the man is gazing very naturalistically out of the picture. His crossed arms and the Instruments of the Passion such as the scourge and fasces remind us of Christ's sufferings.Artist:D?RER, Albrecht Title: Self-Portrait as the Man of Sorrows Painted in 1501-1550 , German - - graphics : portrait
   
   
     
Albrecht Durer Winged Man oil painting


Winged Man
Gemälde IDENTIFIZIERUNG::  63636 		Winged Man
in Idealistic Clothing, Playing a Lute 1497 Silverpoint on dark paper, with white highlights, 268 x 195 mm Staatliche Museen, Berlin The statuesque model was also available to the artist during his work on The Apocalypse. In that series the head recurs not only in the destroying angels, but also in the apocalyptic horsemen and the angels that calm the winds.Artist:D?RER, Albrecht Title: Winged Man, in Idealistic Clothing, Playing a Lute Painted in 1501-1550 , German - - graphics : study
in Idealistic Clothing, Playing a Lute 1497 Silverpoint on dark paper, with white highlights, 268 x 195 mm Staatliche Museen, Berlin The statuesque model was also available to the artist during his work on The Apocalypse. In that series the head recurs not only in the destroying angels, but also in the apocalyptic horsemen and the angels that calm the winds.Artist:D?RER, Albrecht Title: Winged Man, in Idealistic Clothing, Playing a Lute Painted in 1501-1550 , German - - graphics : study
   
   
     
Albrecht Durer Resurrection oil painting


Resurrection
Gemälde IDENTIFIZIERUNG::  63637 		Resurrection
1512 Engraving, 119 x 75 mm Metropolitan Museum of Art, New York Sheet No. 15 of the Engraved Passion. Christ is seen holding the Flag of Peace in his left hand. In both the woodcut versions and in the Engraved Passion Christ is shown in a triumphant stance, Italianate in manner, and contrasted with the sleeping guards. In this instance Christ is standing on his sarcophagus, while in the Large Woodcut Passion he is shown suspended in the air above it.Artist:D?RER, Albrecht Title: Resurrection (No. 15) Painted in 1501-1550 , German - - graphics : religious
1512 Engraving, 119 x 75 mm Metropolitan Museum of Art, New York Sheet No. 15 of the Engraved Passion. Christ is seen holding the Flag of Peace in his left hand. In both the woodcut versions and in the Engraved Passion Christ is shown in a triumphant stance, Italianate in manner, and contrasted with the sleeping guards. In this instance Christ is standing on his sarcophagus, while in the Large Woodcut Passion he is shown suspended in the air above it.Artist:D?RER, Albrecht Title: Resurrection (No. 15) Painted in 1501-1550 , German - - graphics : religious
   
   
     
Albrecht Durer St Peter and St John Healing the Cripple oil painting


St Peter and St John Healing the Cripple
Gemälde IDENTIFIZIERUNG::  63638 		St Peter and St John Healing the Cripple
1513 Engraving, 118 x 74 mm Metropolitan Museum of Art, New York Sheet No. 16 of the Engraved Passion. This engraving, considered as the last sheet of the Engraved Passion, is, in fact, outside the scope of a Passion series. D?rer cannot possibly have intended it as the final sheet. It may therefore be presumed that he planned to add further subjects which were never completed. It has been left out of most of the old bound copies of the Engraved Passion, and may have been intended as the first sheet of a projected series of the Apostles. The contrast of the statuesque greatness of the Apostle and the merciless condition of the cripple is notable. This engraving is perhaps derived from Masaccio's fresco The Tribute Money in the Brancacci Chapel in Florence. St Peter is based on a drawing for the Heller Altarpiece; the man on the far left is inspired by a medal of John Paleologus. The ailment of the cripple has been identified as leprosy.Artist:D?RER, Albrecht Title: St Peter and St John Healing the Cripple (No. 16) Painted in 1501-1550 , German - - graphics : religious
1513 Engraving, 118 x 74 mm Metropolitan Museum of Art, New York Sheet No. 16 of the Engraved Passion. This engraving, considered as the last sheet of the Engraved Passion, is, in fact, outside the scope of a Passion series. D?rer cannot possibly have intended it as the final sheet. It may therefore be presumed that he planned to add further subjects which were never completed. It has been left out of most of the old bound copies of the Engraved Passion, and may have been intended as the first sheet of a projected series of the Apostles. The contrast of the statuesque greatness of the Apostle and the merciless condition of the cripple is notable. This engraving is perhaps derived from Masaccio's fresco The Tribute Money in the Brancacci Chapel in Florence. St Peter is based on a drawing for the Heller Altarpiece; the man on the far left is inspired by a medal of John Paleologus. The ailment of the cripple has been identified as leprosy.Artist:D?RER, Albrecht Title: St Peter and St John Healing the Cripple (No. 16) Painted in 1501-1550 , German - - graphics : religious
   
   
     
       VORHERIGE  91  92  93  94  95  97  98  99  100   NÄCHSTE
VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
     Albrecht Durer
     b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

KONTAKTIEREN Sie UNS
Xiamen Hat China Großhandelsöl, das Bahrenstab Großhandelsrahmen Anstreicht, den Spiegel Formt, Ausgestreckte Gemälde Eingerahmt